In plain words
“Mother! Forgive me; take this garland yourself and put it round Kṛṣṇa's neck,” he pleaded once more. Unable to refuse Akbar's prayer, Mīrā took the necklace from his hand and put it round Kṛṣṇa's neck. The Mahārāṇā's younger brother saw this scene.
A dog hunts for sandals; a wicked man hunts for faults. The Mahārāṇā's younger brother had been hunting all along for any fault that might show itself in Mīrā at any time. The moment he saw Mīrā take the necklace from Akbar's hand, he went straight to the Mahārāṇā and told him all manner of baseless things he had made up about her. “This Mīrā is dragging the honour of our line and the honour of our kingdom into the dust; she is burning our fame and our standing to ashes. From now on it is not good to keep her with us; send her out at once,” he pressed. At the very sound of Akbar's name the Mahārāṇā too flared up in anger. He came at once to the Kṛṣṇa temple and commanded, “Mīrā! Now you go out.” She did not understand why he spoke so. “I am here for Kṛṣṇa alone! Leaving Kṛṣṇa, where can I go?” she thought for a moment. Unable to bear even that much delay, the Mahārāṇā seized her by the hair and dragged her out. Then Mīrā: “My heart itself is Your temple, Kṛṣṇa! So no one can separate the two of us,” she told herself, and set out singing, “Calo re man gaṅgā yamunā tīr.” Which is the Gaṅgā? Which is the Yamunā? In our nose, the breath on the right side has been called ‘Iḍā’, and the breath on the left side ‘Piṅgalā’. These are the Gaṅgā and the Yamunā. The meeting of these two is the suṣumnā nāḍī. That itself is the place between the eyebrows. She bade her mind go to the bank of such a Gaṅgā and Yamunā.
As Mīrā went from street to street singing bhajans, heedless even of pouring rain and gales, many women and men followed her. In days of old Lava and Kuśa, the disciples of Vālmīki, also wore rudrākṣas and, plucking the tambura, went on singing Rāma bhajan at the top of their voices from street to street. But today many people have gone on singing bhajans. But today why are many people shy of singing bhajans, or of going out for nagarasaṅkīrtana?