Umā Sahasram

A thousand verses to Umā, the Mother, in forty hymns of twenty-five: her smile, her form from head to foot, her presence in all things and in the body as Kuṇḍalinī, and the poet's own prayers to her.

Kāvyakaṇṭha Vāsiṣṭha Gaṇapati Muni1,000 Verses

How it came to be

Go to śataka

Śataka 1Her body of space, creation and her powers
Śataka 2Her marriage, her fortune and her deeds
Śataka 3Her smile and her form from head to foot
Śataka 4Her glance, Kuṇḍalinī and Śakti within
Śataka 5Her forms and the rising of Kuṇḍalinī
Śataka 6Ardhanārīśvara and Śiva's family
Śataka 7Holy places and her fierce forms
Śataka 8Devotion, worship and her name
Śataka 9Japa, offering and prayer
Śataka 10Inquiry, the Mahāvidyās and the divine song

How it came to be

He wanted to express his gratitude to the Mother by composing a thousand Sanskrit verses in her praise. He surrendered to Bhagavan and began the work after getting his permission. He chose a sacred day to complete the thousand verses. Unfortunately, he fell ill and could write only around seven hundred. The night before his self imposed deadline, he approached Bhagavan at Virupaksha cave with his problem. Bhagavan encouragingly reassured him, “Do not worry, I will come and sit with you.”

It was a wonderful sight: The young master sitting, radiating silence, his older devotee dictating extempore verses in a torrential flow and his disciples writing them down late into the night around the lantern light. Genius that he was, Kavyakantha started dictating the first line of the first verse to the first disciple, the first line of the second verse to the second disciple, the first line of the third verse to the third disciple and so on. Then, he proceeded without stopping to dictate the second line of the first verse to the first disciple, the second line of the second verse to the second disciple, the second line of the third verse to the third disciple…until at one thirty in the morning, the thousand verses were complete. Bhagavan, who until then was sitting with eyes closed in rock like silence, opened his eyes and asked, “Have you taken down all that I dictated?” Kavyakantha fell at his guru’s feet and cried “Yes Bhagavan, they are your verses!” This anthology of verses is called Uma Sahasram. Uma is the divine Mother, while ‘sahasram’ in Sanskrit means ‘thousand’. Therefore, the title can be translated as ‘thousand verses in praise of the divine Mother’. Kavyakantha revised the first seven hundred and odd verses many times but left the verses that he dictated that wonderful night, verses which he felt came from Bhagavan, untouched.

Sri V. Ganesan, Ramana Periya Puranam