यत एवं, तेनउपसंहृतकामायकामायतिमतन्वते ।अवतंसितसोमायसोमाय स्वामिने नमः ॥ ५१ ॥सह उमया देव्या - स्वातन्त्र्यशक्त्या वर्तते यः स्वामी - चिदात्मा महेश्वरः, परशक्तिरूपनिजोत्तमाङ्गसंगमितसमस्तमेयचन्द्रः अत एव व्यतिरिक्तार्थनीयार्थाभावात् उप - समीपे आत्मन्येव संहृतकामः - स्वानन्दचमत्कारनित्यतृप्तः, अत एव परिपूर्णत्वात् सर्वाम् आयतिं - मूर्तिक्रियावैचित्र्यविस्तृतिं तन्वन् - नित्यं स्वात्मनि प्रथयन् यः, तस्मै नमः, इति आन्तरेण क्रमेणार्थः ।बाह्येन तु दग्धमन्मथाय, आयतिम् आगामिनं शुभं कालं, कैलासादिषु नित्यप्रवर्तमान - प्रमोदनिर्भरक्रीडामयं लोकोत्तरप्रभावं विस्तारयित्रे, उमादेहार्धधारिणे, धृतचन्द्रकलाभरणाय नम इत्यर्थः ।मन्मथदाहिनोऽपि च आलम्बनोद्दीपनविभावसंपूर्णासामान्यशृङ्गारनिविष्टत्वम् इति आकृतिमत्त्वेऽपि अतिदुर्घटमैश्वर्यमुक्तम् ।अथ च उपसंहृताः - भक्तिमतः परिपूर्णस्वरूपप्रथनेन प्रशमिताः, सर्वे कामा - अभिलाषाः येन, तत एव च काम् आयतिम् अतन्वते - सर्वं कालं मोक्षलक्ष्मीसमाश्लेषमयं दर्शयित्रे, स्वामिने नम इति अयमपि अस्यार्थः ॥ ५१ ॥
In plain words
Since it is so, therefore: Homage to the Master, Soma, who has drawn in desire, who leaves no expanse unspread, and who wears the moon as His crest. ‘Soma’ is the ‘Master’ who abides with Umā, the Goddess, that is, with the power of freedom: the Great Lord whose Self is cit. He has joined the moon of the whole knowable to His own highest limb, which is the form of the supreme Śakti; for that very reason, since there is nothing separate to be sought, He ‘has drawn in desire’ close, upa, into the Self alone, that is, He is ever satisfied by the wonder of His own ānanda; for that very reason, being full, He spreads every ‘expanse’, that is, the unfolding of the variety of forms and actions, ever spreading it forth within His own Self: to Him, homage. This is the meaning in the inner sequence. In the outer, however, the meaning is: homage to the one who burnt Manmatha, who spreads the ‘expanse’, that is, an auspicious time to come, a power beyond the world, made of play full of delight, ever going on in Kailāsa and other places, who bears Umā as half His body, and who wears the digit of the moon as His ornament. And since even the burner of Manmatha is set in an uncommon rasa of love, complete with its determinants, its support and its kindling, a lordship most hard to bring about is told, even in His having a form. And again: ‘who has drawn in’, that is, by whom all ‘desires’, that is, longings, of one possessed of devotion have been stilled through the spreading forth of the full own form; and for that very reason, ‘who leaves no expanse unspread’, that is, who shows all time as made of the embrace of the glory of liberation: homage to the Master. This too is its meaning.